![]() The matter of bearing children-her sister’s daughter and Lana’s own hypothetical offspring-comes up repeatedly, on “The Grants” and “Sweet,” a tradwife fantasy tucked in a mid-century movie-musical score. She entreats her brother Charlie to quit smoking. On one song, she exhales a prayer amid jazzy squiggles, calling on her grandfather’s spirit to protect her father, a maritime enthusiast, while he’s deep-sea fishing. Lana, née Elizabeth Grant, opens Ocean Blvd with a track that bears her family name, and she holds her father, brother, and sister close throughout, as if bracing for loss. Here, Lana is after something more enduring, the matters “at the very heart of things”: family, love, healing, art, legacy, wisdom-and all the contradictions and consternation that come along with the pursuit.īlue Banisters, Lana’s album from 2021, introduced many of the ideas that stand out here: revisiting old material with new relish, releasing pop’s conventional structures and polish, writing about loved ones with tender specificity. ![]() Beauty-long Lana’s virtue and her burden-fades or is forgotten, like that titular tunnel, its mosaic ceilings and painted tiles sealed up and abandoned. It’s full of quiet ruminations and loud interruptions of visible seams and unhemmed edges, from the choir rehearsal that runs through its opening moments to the sound of the piano’s sustain pedal releasing at its end. ![]() Did You Know That There’s a Tunnel Under Ocean Blvd arrives as a sweeping, confounding work-in-process. It’s one that Lana takes up vigorously, even if that meaning is sometimes legible only to her. “My pastor told me when you leave all you take is your memory,” goes the chorus, resolute like a hymn, wrapped up with gospel backing vocals and orchestral ribbons, “And I’m gonna take mine of you with me.” To whittle the raw material of life into meaning, worth preserving-this is the writer’s task. “ The Grants,” which opens her ninth studio album, climbs to the metaphorical mountaintop, guided by John Denver’s sense of mystical wonderment, to receive wisdom from on high. But now, rather than an escape hatch, it’s a framing device through which to peer at her life. She is still talking-and singing-about death. In conversation with Rolling Stone this month, Lana described a great unburdening in her psychic space. In due course, particularly since the release of her 2019 national pulse check Norman Fucking Rockwell!, her songwriting received the recognition she always knew it deserved. Note: When you embed the widget in your site, it will match your site's styles (CSS).Lana has lived many days since then and seemingly found some of them worthwhile. Get the embed code The Outhere Brothers - Boom Boom Boom Album Lyrics1.Boom Boom Boom (B96 Radio Edit)2.Boom Boom Boom (OHB extended mix part 4)3.Boom Boom Boom (OHB Underground mix part 2)The Outhere Brothers Lyrics provided by Outhere brothers about to rip it on another tip slipĭon' t trip out how i do it malik is in the house Put your nany on my tongue and your booty on my face Let me take you one more time i won' t stop until your mineīut if i cannot sleep with you maybe i could have a taste Girl your booty is so round i just want to lay you down I turn your body into fluid as i come from the depths of doom Slip don' t trip out how i do it malik is in the house Outhere brothers about to rip it on another tip Here comes the brother with the offbeat flow Me say boom boom boom now everybody say way-ooh (bg: way-ooh) Put your arms around me girl and your kisses on my faceīoom boom boom let me here you say way-ooh (bg: way-ooh) Let me take you one more time i won't stop until your mineīut if i cannot be with you maybe i could have a taste Girl your booty is so round i just want to play around I came to make you shake it til you break itĬause now it's time for me to hit that boom Me say boom boom boom now everybody say way-ooh (way-ooh)īoom boom boom let me hear you say way-ooh (way-ooh)īoom boom boom let me here you say way-ooh (way-ooh) Boom boom boom let me hear you say way-ooh
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